Gustav Klimt
Gustav Klimt's Oil Paintings
Gustav Klimt Museum
1862 – 1918, An Austrian Symbolist Painter.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  
  

Gustav Klimt Gallery.org, welcome to visit and enjoy!
GustavKlimtGallery.org
 


Here are all the paintings of Domenico Fetti 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
74603 Archimedes Thoughtful Domenico Fetti Archimedes Thoughtful 1620 Oil on canvas 98 x 73,5 cm cjr
95769 David Domenico Fetti David circa 1620(1620) Medium oil on canvas cyf
95772 David Domenico Fetti David circa 1620(1620) Medium oil on canvas cyf
29027 Ecce Homo Domenico Fetti Ecce Homo mk65 Oil on canves 53 9/16x44 1/16in Uffizi
39621 Facob-s dream Domenico Fetti Facob-s dream mk150 c.1619
41522 Girl Reading Domenico Fetti Girl Reading mk164 c.1620 Gallerie dell-Accademia Venice
89676 Hero and Leander Domenico Fetti Hero and Leander between 1622(1622) and 1623(1623) Medium oil on panel cyf
70754 hero och leander Domenico Fetti hero och leander cirka 1622-23 pa poppeltra 96x42cm se
92832 Idealbildnis eines Gonzaga Domenico Fetti Idealbildnis eines Gonzaga um 1620 Medium oil on canvas Dimensions Deutsch: 101 x 88 cjr
95799 Margherita Gonzaga Receiving the Model of the Church of St Ursula Domenico Fetti Margherita Gonzaga Receiving the Model of the Church of St Ursula circa 1615(1615) Medium oil on canvas cyf
33582 Melancholy Domenico Fetti Melancholy mk86 c.1620 Oil on canvas 168x128cm Paris,Musee National du Louvre
40424 Melancholy Domenico Fetti Melancholy mk156 c.1620 Oil on canvas 171x128cm
83752 Melancholy Domenico Fetti Melancholy Date ca. 1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cjr
87669 Melancholy Domenico Fetti Melancholy 1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cyf
84610 Parable of the Lost Drachma Domenico Fetti Parable of the Lost Drachma Date ca. 1618(1618) Medium Oil on wood Dimensions Height: 75 cm (29.5 in). Width: 44 cm (17.3 in). cjr
84665 Parable of the Lost Drachma Domenico Fetti Parable of the Lost Drachma Date between 1618(1618) and 1622(1622) Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 44 cm (17.3 in). cjr
88459 Parable of the Lost Drachma Domenico Fetti Parable of the Lost Drachma 1618(1618) Medium Oil on wood cyf
88976 Parable of the Wicked Servant Domenico Fetti Parable of the Wicked Servant c. 1620(1620) Medium Oil on canvas Dimensions 61 x 44,5 cm cjr
39623 Perseus freeing Andromeda Domenico Fetti Perseus freeing Andromeda mk150 c.1622 Poplar 40.5x72.5cm
74906 Saint Mary Magdalene Penitent Domenico Fetti Saint Mary Magdalene Penitent 1615 Oil on canvas 99 x 77 cm cjr
76461 Saint Mary Magdalene Penitent Domenico Fetti Saint Mary Magdalene Penitent Date 1615 Medium Oil on canvas Dimensions 99 x 77 cm cyf
87584 The Parable of the Mote and the Beam Domenico Fetti The Parable of the Mote and the Beam c. 1619 Medium English: Oil on wood Dimensions English: 24 1/8 x 17 3/8 in. (61.3 x 44.1 cm) cjr
90408 The Parable of the Vineyard Domenico Fetti The Parable of the Vineyard 1618(1618) Medium oil on panel Dimensions Height: 76 cm (29.9 in). Width: 45 cm (17.7 in). cyf

Domenico Fetti
Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.
Gustav Klimt
All the Gustav Klimt's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved