Gustav Klimt
Gustav Klimt's Oil Paintings
Gustav Klimt Museum
1862 – 1918, An Austrian Symbolist Painter.

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Here are all the paintings of RICCI, Marco 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
85104 Classical capriccio of Rome RICCI, Marco Classical capriccio of Rome oil on canvas, 77 x 135.2 cm cyf
8906 Coastal View with Tower RICCI, Marco Coastal View with Tower 1715-20 Oil on canvas, 106,7 x 148,6 cm Private collection
8909 Landscape with River and Figures (detail) RICCI, Marco Landscape with River and Figures (detail) c. 1720 Oil on canvas Gallerie dell'Accademia, Venice
8908 Landscape with River and Figures df RICCI, Marco Landscape with River and Figures df c. 1720 Oil on canvas, 136 x 197 cm Gallerie dell'Accademia, Venice
41173 Landscape with Washerwomen RICCI, Marco Landscape with Washerwomen mk157 c.1720 Oil on canvas 136x198cm
8910 Landscape with Washerwomen fdu RICCI, Marco Landscape with Washerwomen fdu c. 1720 Oil on canvas, 136 x 198 cm Gallerie dell'Accademia, Venice
8907 Landscape with Watering Horses RICCI, Marco Landscape with Watering Horses c. 1720 Oil on canvas, 136 x 198 cm Gallerie dell'Accademia, Venice
51997 Sacrifice to Silenus RICCI, Marco Sacrifice to Silenus c. 1723 Oil on canvas, 56,5 x 73,5 cm

RICCI, Marco
Italian Painter, 1676-1730 Painter, printmaker and stage designer, nephew of (1) Sebastiano Ricci. He probably began his career in Venice in the late 1690s as his uncle's pupil, concentrating on history paintings (untraced). Having murdered a gondolier in a tavern brawl, he fled to Split in Dalmatia, where he remained for four years and was apprenticed to a landscape painter (Temanza, 1738). Once back in Venice (c. 1700) he put this training to use in painting theatrical scenery. Little is known about his early development, and it remains difficult to establish a chronology for his work. A group of restless, romantic landscapes (examples, Leeds, Temple Newsam House; Padua, Mus. Civ.), painted with lively, free strokes and formerly thought to represent his early period, have now been convincingly attributed (Moretti) to Antonio Marini (1668-1725). His earliest dated works, a tempera painting, View with Classical Ruins (1702; priv. col.), and a Landscape with Fishermen (1703; ex-Kupferstichkab., Berlin; untraced), are serene and classical, close in style to tempera paintings generally dated 1710-30. This suggests that Ricci's style did not develop much, and that strong classicizing tendencies,
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