Gustav Klimt
Gustav Klimt's Oil Paintings
Gustav Klimt Museum
1862 – 1918, An Austrian Symbolist Painter.

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Here are all the paintings of Santi Di Tito 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
29020 Christ's Entrane into Jerusalem Santi Di Tito Christ's Entrane into Jerusalem mk65 Oil on panel 137 13/16x90 9/16in Accademia,Gallery
30524 Portrait of Niccolo Macchiavelli Santi Di Tito Portrait of Niccolo Macchiavelli mk68 oil on canvas Florence, Palazzo Vecchio c.1580 Italy
97051 Suor Maria Maddalena de Pazzi Santi Di Tito Suor Maria Maddalena de Pazzi 1583(1583) Medium oil cyf
29021 The Depostition from the Cross with the Virgin,SS.Johnt the Baptist and Catherine of Alexandria,and the Patron,Bal-dassarre Suarez Santi Di Tito The Depostition from the Cross with the Virgin,SS.Johnt the Baptist and Catherine of Alexandria,and the Patron,Bal-dassarre Suarez mk65 Oil on panel 78 3/4x66 1/8in Accademia,Gallery
76715 Vision of St Thomas Aquinas Santi Di Tito Vision of St Thomas Aquinas 1593(1593) Oil on panel 233 cm (91.7 in). Height: 362 cm (142.5 in). cjr
80193 Vision of St Thomas Aquinas Santi Di Tito Vision of St Thomas Aquinas 1593(1593) Medium Oil on panel Dimensions Height: 362 cm (142.5 in). Width: 233 cm (91.7 in). cyf

Santi Di Tito
Italian Painter and Architect, 1536-ca.1602 was an Italian painter of Late-Mannerist or proto-Baroque style, what is sometimes referred to as Contra-Maniera. Born in Borgo San Sepolcro, in Tuscany. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558-1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (Homage of the People) alongside Giovanni de' Vecchi and Niccol?? Circignani. He acquired a classical trait, described as Raphaelesque by S.J. Freedburg. This style contrasted with the reigning ornate Roman painterliness of the Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. Among his pupils was Cigoli. Another pupil named Francesco Mochi became a sculptor in the Baroque style, creating among other pieces, the colossal Saint Veronica', supervised by Gianlorenzo Bernini and placed in the crossing of St. Peter's Basilica in Rome. After returning to Florence in 1564, He joined the Accademia del Disegno, and he did not venture to paint outside of Tuscany. He contributed two unusual paintings for the Duke's study and laboratory, the Studiolo of Francesco I in the Palazzo Vecchio. This artistic project was partly overseen by Giorgio Vasari. These paintings are (the Sisters of Fetonte and Hercules and Iole).
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