Gustav Klimt
Gustav Klimt's Oil Paintings
Gustav Klimt Museum
1862 – 1918, An Austrian Symbolist Painter.

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Gustav Klimt
Hope I (mk19)

ID: 22324

Gustav Klimt Hope I (mk19)
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Gustav Klimt Hope I (mk19)


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Gustav Klimt

Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.  Related Paintings of Gustav Klimt :. | Malcesine on Lake Garda | portratt av emilie floge | Mada Primavesi | Avenue in Schloss Kammer Park | blommande falt |
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Willim Henry Fox Talbot
British, 1800-1877
Francesco Cairo
(1607-1665) was an Italian painter active in Baroque Lombardy and Piedmont. He was born and died in Milan. It is not known where he obtained his early training though he is strongly influenced by the circle of il Morazzone, in works such as the Saint Teresa altarpiece in the Certosa di Pavia. In 1633, Cairo moved to Turin to work as a court painter, including portraits, to Vittorio Amedeo I of the House of Savoy. Between 1637-1638, Cairo travelled to Rome, where he encounters the works of Pietro da Cortona, Guido Reni and of the Caravaggisti. He returns to Lombardy to complete altarpieces for the Certosa of Pavia and a church at Casalpusterlengo. He painted a St. Theresa for San Carlo in Venice. Between 1646-1649, he returns to Turin, and paints an altarpiece for Savigliano and the church of San Salvario. He is also known as Il Cavaliere del Cairo, because in Turin, he received the order of SS. Lazarus and Maurice in recognition of his merit. Many of his works are eccentric depictions of religious ecstasies; the saints appear liquefied and contorted by piety. He often caps them with exuberant, oriental turbans.
Clarence a gagnon
Canadian Painter, 1881-1942 was a Quebecois painter. A native of Montreal, he studied at the Art Association of Montreal in 1897. Early in life, his mother had encouraged him to learn drawing and painting, but his father wanted him to become a businessman. Desiring to improve his knowledge about art, he went to the Academie Julian, Paris, and studied under Jean-Paul Laurens from 1904 to 1905. He then lived in Baie-Saint-Paul, where he produced many paintings depicting nature and the Canadian people. He invented a new kind of winter landscape that consisted of mountains, valleys, sharp contrasts, vivid colours, and sinuous lines. He became a member of the Royal Academy of the Arts in 1910. Gagnon took a trip to Venice, Rouen, Saint-Malo and the Laurentians to paint landscapes. He illustrated the pages of the novel Maria Chapdelaine by Louis Hemon. As well, he was the illustrator for Louis-Frederic Rouquette in 1929 in the white silence. He lived in France from 1924 to 1936. Gagnon opened modernity painting within Canada. He died in 1942. One of his disciples is the painter Rene Richard.






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