Austrian Art Nouveau Painter, 1862-1918
Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil.
Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture. Related Paintings of Gustav Klimt :. | Portrait of Fritza Riedler (mk12) | kvinnoportratt | Portrait of Adele Bloch Bauer I | fritza von riedler | the kiss |
Related Artists:Francesco Fontebasso
(4 October 1707 - 31 May 1769) was an Italian painter painter of the late-Baroque or Rococo period of Venice. He first apprenticed with Sebastiano Ricci, but was strongly influenced by his contemporary, Giovanni Battista Tiepolo. In 1761, Fontebasso visited Saint Petersburg and produced ceiling paintings and decorations for the Winter Palace. Fontebasso returned to Venice in 1768. He helped decorate a chapel in San Francesco della Vigna.
He died in Venice in 1769.
German, 1854-1929GRANACCI, Francesco
Italian High Renaissance Painter, ca.1469-1543
was an Italian painter of the Renaissance. Born at Villamagna di Volterra, he trained in Florence in the studio of Domenico Ghirlandaio, and was employed painting frescoes for San Marco on commission of Lorenzo de'Medici. He is featured in Giorgio Vasari's Vite. His early works, such as the Enthroned Madonna between Saint Michael and John the Baptist (Staatliche Museen, Berlin), Adoration of the Child (Honolulu Academy of Arts) and four histories of Saint John the Baptist, were influenced by the style of Filippino Lippi. In 1508, Granacci went to Rome, where he and other artists helped his lifelong friend Michelangelo to transfer cartoons to the Sistine chapel ceiling. Returning to Florence, Granacci painted a Madonna with Child with Saints Francesco and Jerome for the Augustinian convent of San Gallo (now in the Gallery of the Academy), a Madonna della Cintola for the Company of San Benedetto Bigi, and in 1515 he participated in creating the decorations to celebrate the visit to Florence of Pope Leo X. In 1519, he painted a Madonna with Child and Saint John. Works of the years 1520-1525 betray a direct influence of Fra Bartolomeo, including a Madonna in throne between Saints Sebastiano and Francesco for Castelfiorentino and a Sacred Conversation for Montemurlo. An altarpiece of the Assumption is influenced by Pietro Perugino.